Once upon a time there was nothing to say.
Whatever there was to say had been said earlier. Words had been crafted and tweaked and sent out all over the place.
It had been a busy day.
So nothing put its feet up, and had a cup of tea.
Nothing had 3 cookies. Nope. No words came. So, nothing figured it would call something next Sunday, and see if something could get in touch with anything and they could speak together and cough up some language and that language would become a story.
Wishing you all a great week, and some silence to chew on, when you need it.
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Published by Stephanie Barbé Hammer
Stephanie Barbé Hammer is a magical realist prose fiction writer, novelist, occasional essayist, and a committed, intermittent poet. A 6-time nominee for the Pushcart Prize she has published work in Hayden's Ferry, Pearl, CRATE, Rhapsoidia, NYCBigCityLit, the East Jasmine Review, Apeiron, Inlandia, Literary Alchemy and the Bellevue Literary Review among other places. Her novel _The Puppet Turners of Narrow Interior_ appeared in March 2015 with Urban Farmhouse Press, and her Narrow Interior novelette, _Rescue Plan, appeared in February 2021 with Bamboo Dart Press. Her poetry collection _How Formal?_ was published in 2014 with Spout Hill Press and her prose poem collection _SEX WITH BUILDINGS_ was published in May 2012 by Dancing Girl Press. Stephanie flunked early retirement at the University of California Riverside and is currently feeding her teaching love at Edmonds Community College, Hugo House and the Inlandia Institute. iShe is currently managing editor for SHARK REEF literary magazine and is working on two new novels, and two new poetry collections, Her manual on how to write magical realism _Delicious Strangeness_ is available from Spout Hill Press.
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Stephanie Barbé Hammer Writing (Un) Real 