Dear Friends —
Here in the US, we take aesthetic self-expression for granted. But the fact is, operating outside the mainstreams is dangerous. Those of us who create privately can generally practice what we do and simply be ignored. But performers face a special challenge, because they operate in public.
Just ask Extreme Elvis.
Sometimes, what is very far away speaks most eloquently and immediately. Take a look at what Pussy Riot performer Nadezhda Tolokonnikova says about aesthetics, self-education, and its political power. It’s incredibly articulate. And brave.
Read Nadezhda Tolokonnikova’s statement here by clicking on the following link. Thanks to N+1 for posting:
http://nplusonemag.com/pussy-riot-denied-parole-tolokonnikova-on-russia-s-absurd-justice-system
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Published by Stephanie Barbé Hammer
Stephanie Barbé Hammer is a prose writer, magical realist, and a committed, intermittent poet. A four-time nominee for the Pushcart Prize she has published work in Hayden's Ferry, Pearl, CRATE, Rhapsoidia, NYCBigCityLit, the East Jasmine Review, Apeiron, Inlandia, and the Bellevue Literary Review among other places. Her fabulist novel _The Puppet Turners of Narrow Interior_ appeared in March 2015 with Urban Farmhouse Press. Her poetry collection _How Formal?_ was published in 2014 with Spout Hill Press and her prose poem collection _SEX WITH BUILDINGS_ was published in May 2012 by Dancing Girl Press. Stephanie is addicted to teaching, and is currently co-editor for nonfiction at East Jasmine Literary Review.
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