Dear friends of the unreal —
I am thrilled to share that I had my first book signing ever for my new chapbook Sex with Buildings that launched in May with the amazing Dancing Girl Press.
Here is a snippet from the collection….
Conceal the Evidence
My Barbies have no fingers and no hair, the first one said. I cut them off.
That’s nothing said the other. I made a voodoo doll of this boy I hated in 4th grade. But first I went to the library, I did the research and then I got two friends, and we collected the necessary materials – hair from his parka, blood from a Band-Aid, fingernail clippings I forget how, and we went into the teacher’s bathroom and stuck the doll. It didn’t work, but I remember the recipe just in case. You never know.
Don’t ever make HER mad said the first one.
I was sick said the second.
But you knew how to hide the truth, I said.
We agreed: that is what counts
(Copyright, Stephanie Barbe Hammer, 07/15/2012)
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Published by Stephanie Barbé Hammer
Stephanie Barbé Hammer is a prose writer, magical realist, and a committed, intermittent poet. A 5-time nominee for the Pushcart Prize she has published work in Hayden's Ferry, Pearl, CRATE, Rhapsoidia, NYCBigCityLit, the East Jasmine Review, Apeiron, Inlandia, Literary Alchemy and the Bellevue Literary Review among other places. Her fabulist novel _The Puppet Turners of Narrow Interior_ appeared in March 2015 with Urban Farmhouse Press. Her poetry collection _How Formal?_ was published in 2014 with Spout Hill Press and her prose poem collection _SEX WITH BUILDINGS_ was published in May 2012 by Dancing Girl Press. Stephanie is addicted to teaching; she taught composition for the first time ever at Edmonds Community College. She is currently managing editor for SHARK REEF literary magazine and trying to make something happen with her second novel manuscript.
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